Interstellar Travel: Becoming a Dress-Up Game Designer

Chapter 280

Carving tests one's skill; burrs, polishing marks, and carved lines all require expertise. Some masters' works are truly masterpieces at first glance, while some beginners' works look worthless, like they were printed out.

That's the difference. No matter how you look at it, a master's work never feels like it was machine-made or printed. Those who love nuclear carving in the interstellar world have named this feeling 'deathly aura,' a term that has since been widely used in various contexts.

Recently, many craftspeople have emerged: hairpin makers, hairpin grooms, potters, weavers, sculptors... and many more. After getting addicted to the game, people want to try it in real life; that's how hobbies are cultivated without anyone noticing.

However, when making something, a template is needed. Many companies and studios contacted Qingfengyi, hoping to obtain the copyright for Qingfengyi's prop molding.

After Lin Shuying asked them what they were doing, she excitedly agreed.

Develop a group of folk artisans, then expand this group, and subsequently form part of the cultural composition of this interstellar civilization.

Isn't that exciting?

With this in mind, she specifically emphasized that all use of Qingfengyi's copyright must include the Huaxia (China) label; otherwise, use is not permitted. Furthermore, all parties discussing copyright cooperation received a Qingfengyi explanation of Huaxia, describing it as an ancient civilization, passed down for thousands of years, profound in its heritage, and full of charm. Even after repeated invasions, spying, and persecution by foreign enemies, and even the covert attempts to inject harmful culture from within to gradually erode this civilization, it has withstood the test.

The legend created by the people is rooted in their very being and cannot be completely destroyed by simply releasing some viruses into the outside world.

Although the partners found it strange, they followed the instructions. Lin Shuying, after learning of everyone's thoughts, was not satisfied. She carefully revised the instructions and sent them back to all Qingfengyi partners, while also posting this version on the official account. Posted on both accounts, many Qingfengyi fans, players, and followers, though not fully understanding, deeply imprinted the concept of Chinese civilization in their minds.

It's incredible that all of Qingfengyi's designs originated from this civilization.

The storm surrounding the announcement didn't stop there; it also profoundly impacted archaeologists and historians. The spacetime rift caused by Barbie fashion and Qingfengyi had been intensifying recently, and suddenly, numerous abandoned spaceship wrecks appeared in the void, bearing countless historical traces. There were also many floating time capsules, supposedly developed on their home planet, and not too expensive, making them accessible to ordinary people.

Before their home planet is destroyed, many people release time capsules into space to drift. Some release precious photos and belongings from their homes, while the wealthy release their most prized possessions. Others, driven by patriotism and a love for the world, fill them with various videos and books, hoping they won't be destroyed by cosmic rays, or even if they end up in the presence of other intelligent life.

The process of a planet's destruction is extremely long, especially for people on Earth, a process that feels like the sun rising in the east and setting in the west every day, taking 24 hours. This is because the effects of forces take time, and the time required for the forces that destroy a planet can sometimes even exceed a person's lifetime.

These time capsules, whether left over from interstellar time or not, can be distorted here, indicating a connection.

Archaeologists discovered Chinese civilization within these capsules and spaceship remains—a vast, profound, and mysterious civilization. Some archaeologists, who were not authorized to access the higher-ups' plans, were genuinely shocked upon seeing a large number of artifacts identical to those in Qingfengyi's content, while those who knew the background were filled with excitement.

He kept repeating, "It worked! It really worked! We are people with roots! We are people with roots!"

Humanity's search for its ancestors has been an incredibly arduous, desperate, and lengthy journey. Even the smallest clue has inspired countless resources to be poured into the search. When the Summoning Project was first launched, many opposed it, but now everything has proven it was worthwhile!

Archaeologists cited Qingfengyi's announcement about Chinese civilization, publishing their recent archaeological findings, which shocked many interstellar travelers. A previously created categorized archive by Lin Shuying was also cited; archaeologists and historians found it excellent, allowing them to directly categorize discovered archaeological data, saving considerable time. The only drawback is the need to create a separate category for other civilizations, such as Western civilization, alongside the original Chinese civilization category.

Currently, only Chinese and Western civilizations have a relatively large amount of historical data that has been released.

However, only these two civilizations are widely known on Earth; the rest are mostly derivatives or invading civilizations. Other civilizations originally held some status, especially those whose successors intentionally preserved them. Unfortunately, smaller civilizations find it very difficult to survive in a capitalist world; even if they do, they often become fodder and resources for the stronger powers, leading to their plunder.

The plundering of civilizations seems absurd, but it truly happened in Lin Shuying's past life. The powerful absorbed other civilizations as nourishment, while simultaneously exporting their own cultural philosophies to those civilizations. This created a situation of cultural loss within the smaller civilizations, where resources were insufficient to sustain the gains, and slowly, one's own civilization was quietly replaced by another…

Leaving aside the state of Earth, since interstellar people don't know about Earth, just looking at Barbie fashion and Qingfengyi, Barbie fashion incorporates many elements: the Sally dress of the White Elephant, the luxurious churches and nouveau riche style of the Dome Church, the tropical flair of the parrot, the mythological system of God, the mythological system of Zeus, the cowboy style of the Great Desert... It's like a melting pot that mixes all the plundered things together.

However, the mixture of civilizations makes the theme unclear, and thus it cannot compete with the clear theme, accurate and focused spirit of the breeze.

Archaeologists have compiled historical data that is quite definitive regarding Chinese civilization, but the data on Western civilization is much more ambiguous. There are so many straight lines that they wonder if there are even side paths.

Archaeologists and historians who knew the actual situation were particularly suspicious, and a highly respected archaeologist led a team to the Academy of Sciences to inquire about the situation.

"Can we trust the archaeological data that has emerged? The Western civilization section is really very chaotic."

The people behind him chimed in, "It's very chaotic. We originally thought it was Western civilization as the main category, and then there were subcategories. Like Tibetan civilization, Yao civilization, and Han civilization under Chinese civilization, etc. But we later found that wasn't quite right. Some of those branches of civilization were heavily influenced and not purely influenced, but they were also incompatible with the civilization that influenced them, clearly having their own style."